Jan Plecháč and Henry Wielgus sketched the shape of the Lasvit Neverending Glory chandeliers by rotating the silhouette around its own axis. The large pieces of glass, for which even the wooden moulds are enormous, are so demanding to produce that it would not be possible to create anything bigger. In the individual silhouettes, it is possible to recognise iconic chandeliers from five of the world’s most eminent concert halls and theatres; La Scala in Milan, Palais Garnier in Paris, the Metropolitan Opera in New York, the Czech Republic’s Estates Theatre in Prague, and the Bolshoi Theatre in Moscow.
